What is Merleau-Ponty's point about Cezanne? - Quora.

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Buy The Merleau-Ponty Aesthetics Reader: Philosophy and Painting (Studies in Phenomenology and Existential Philosophy) by Galen A. Johnson, Michael B. Smith (ISBN: 9780810110748) from Amazon's Book Store. Everyday low prices and free delivery on eligible orders.

Merleau-Ponty's essays on aesthetics are some of the major accomplishments of his philosophical career, and rank among the most sophisticated reflections on art in twentieth-century philosophy. Together the essays demonstrate the continuing significance of Merleau-Ponty's ideas about art for contemporary philosophy.

The essay explores how a painter must offer her body (through her eyes and hands) into and through the world in order to manifest it most truly in art. Merleau-Ponty describes this vision as a movement that both extends the body through the act of looking and opens the body to the world through this extension. The body sees and is seen.

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Sartre contends that authentic writing should express the commitment of its creator to change his or her society—“words are loaded pistols” he argues Merleau-Ponty gives a different twist to the existential dimension of art in Eye and Mind.

Merleau-Ponty, M. (1964). The primacy of perception, and other essays on phenomenological psychology, the philosophy of art, history, and politics (J. Edie, Trans.). Evanston, IL: Northwestern University Press. This example Maurice Merleau-Ponty Essay is published for educational and informational purposes only.

The Aesthetic Reader has assembled together Merleau-Ponty’s all three essays on painting along with a good collection of critical essays on his philosophy of painting. 12. Merleau-Ponty’s essay “Cezanne’s Doubt”, in The Merleau-Ponty Aesthetics Reader: Philosophy and Painting, ed. Galen Johnson.

This collection of essays brings together diverse but interrelated perspectives on art and perception based on the philosophy of Maurice Merleau-Ponty. Although Merleau-Ponty focused almost exclusively on painting in his writings on aesthetics, this collection also considers poetry, literary works, theater, and relationships between art and.

Featuring essays by an international team of leading phenomenologists, art theorists, theologians, historians of philosophy, and philosophers of mind, this volume breaks new ground in Merleau-Ponty scholarship-including the first sustained reflections on the relationship between Merleau-Ponty and religion-and magnifies a voice that is talked.

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The question of painting, in particular, fuelled the investigations of a major 20th-century philosopher: the French phenomenologist, Maurice Merleau-Ponty (1908-61). Merleau-Ponty was at the forefront of attempts to place philosophy on a new footing by contravening the authority of Cartesian dualism and objectivist thought — an authority that.